NFPF News

Pioneers of African American Cinema

The Blood of Jesus (1941), directed by Spencer Williams.

A collection of foundational works of African American cinema will become available to the public on July 26, when the Blu-Ray/DVD set Pioneers of African American Cinema will be released by Kino Lorber. Comprised of twenty hours of footage on five discs, starting with shorts from over a 100 years ago, the set will be of special value to scholars and historians, since these important films have been difficult to view, especially in good quality.

In the first decades of African American cinema independently produced “race films” were made for black audiences. Between 1915 and 1952 more than 500 of them were made in the United States and shown in more than 1000 movie theaters, most of which were segregated. Because “race films” were made outside Hollywood they presented African American characters who were not stereotypical servants or comic … Read more

Daughter of Dawn on Blu-Ray

Daughter of Dawn (1920)

Films preserved through NFPF funding are always made available for public access, whether onsite or online, but some archives go further by partnering with a distributor to make a film available for film lovers to add to their collection. Such is the case with Daughter of Dawn (1920), to be released on Blu-Ray on July 19.

Named to the National Film Registry in 2013, this silent feature was preserved by the Oklahoma Historical Society (OHS), whose description is worth quoting:

“The story, played by an all-Indian cast of 300 Kiowas and Comanches, includes a four-way love story, two buffalo hunt scenes, a battle scene, village scenes, dances, deceit, courage, hand to hand combat, love scenes, and a happy ending. The Indians, who had been on the reservation less than fifty years, brought with them their own tipis, horses, clothing, and material culture. The lead actor is White Parker, … Read more

Preservation Projects: The L.A. Rebellion

Diary of an African Nun (1977), directed by Julie Dash.

Film preservation not only safeguards individual films, but can also preserve a film movement. An exciting example is UCLA Film & Television Archive’s preservation of films from the L.A. Rebellion.

Following the Watts Uprising of 1965 and ensuing racial tensions, UCLA met the demands of its students by instituting an Ethno-Communications initiative, which responded to the needs of communities of color and facilitated non-commercial filmmaking by artists such as Charles Burnett, Julie Dash, Larry Clark, Haile Gerima, and Billy Woodberry.

Their shared goal was to create authentic narratives about the black experience that avoided the stereotypes of Hollywood or the Blaxploitation genre. The films were influenced by study of “third world” cinema from Latin America and Africa, the French nouvelle vague, and postwar neorealist cinema. The … Read more

Orphan Film Spotlight: Adaptive Behavior of Golden-Mantled Ground Squirrels

Working for peanuts in Adaptive Behavior of Golden-Mantled Ground Squirrels (1942).

Preserved by the University of Oregon, Adaptive Behavior of Golden-Mantled Ground Squirrels (1942) depicts members of the titular species (not to be confused with chipmunks) roaming around Crater Lake, Oregon, before moving indoors to show captive squirrels learning how to solve a series of increasingly challenging tasks. Tantalized by out-of-reach peanuts, the determined critters literally pull strings for food.

The man behind the squirrels was University of Oregon psychology professor and educational filmmaker Lester F. Beck (1909-77), whose love of animals stemmed from growing up on an Oregon ranch; he would later build a house that allowed wild rodents to crawl into a maze suspended from the living room ceiling. Beck called film “one of the greatest aids to learning since … Read more

The San Francisco Silent Film Festival Returns

Fantasia of Color in Early Cinema, from EYE Filmmuseum in Amsterdam.

This week is graced by the 26th annual San Francisco Silent Film Festival, the largest event in America dedicated to that long-vanished but much-beloved art form. On Friday the NFPF will join the festival in presenting “Amazing Tales from the Archives,” wherein archivists from various countries present field reports on new and exciting preservation projects.

This year there are three presentations: Georges Mourier from the Cinémathèque Française will give news on the archive’s six-and-a-half-hour restoration of Abel Gance’s Napoleon. From Universal Pictures, Peter Schade and Emily Wensel will report on the studio’s new silent film preservation project, which has made possible the festival screening of The Last Warning, a murder mystery from 1929. Bryony Dixon, senior curator of silent film for the British Film … Read more